February 29, 2012
The movement of classical music into non-traditional venues has been a major trend over the past few decades — initiated by groups like the Kronos Quartet and accelerated by Classical Revolution, Knight Arts, and, somewhat famously, members of the Cleveland Orchestra. Chloe Veltman’s latest ArtsJournal.com blog post points out that, at least in San Francisco, these have become “run of the mill.” Exciting! Maybe San Fran and other cultural epicenters are finally driving a collective, societal shift towards a more expansive display of classical music.
Read the rest of this entry »
Keeping in mind Monday’s thoughts regarding the need to honor the talents, skills, and resources we already have at our disposal, I’d like to share with you the music of Janice Whaley, a new artist who, I think, presents a powerful model of music making that will be of interest to many of us here in the IPAP community. To my mind, it is a blueprint for what classically-informed performance can be in the twenty-first century. Read the rest of this entry »
February 28, 2012
Free fluteboxing workbook
NEA’s article on Innovation
Talent or Practice, which matters more?
Little Free Libraries Popping Up
Gordon Music Learning Theory Workshops, Buffalo, NY
Kickstarter expects to provide more funding to arts than NEA
Sir Ken Robinson on leading the learning revolution
Phillip Glass turns 75
A musical tour of Mexico‘s last 200 years
Love to learn?
Go Easy on Yourself, New Research Urges
Community Supported Agriculture, I mean Arts
Support your locally grown artists!
Quote of the week:
“To find out what one is fitted to do and to secure an opportunity to do it is key to happiness.”
— John Dewey
February 27, 2012
Wednesday, I’ll be posting about Janice Whaley, a San Francisco based musician whose work I think will be of great interest to the IPAP community. Since she deserves not to follow my customary preamble, I’m posting that today.
In honor of IPAP’s first anniversary, Laura asked me to compose a short piece that encapsulates some of the themes that have developed on our blog over the past year. If you’ve spent any time here, you already know that we have a tremendous staff of writers, each of whom has their own set of interests, styles, and ways of working. It’s been a real growing experience for me to get a more intimate perspective on the different approaches and ideas that each of us bring to our practice of music. In particular, I’ve relearned valuable lessons about two of our key buzzwords: innovation and creativity:
- Being creative doesn’t only involve the ideas that you have but also the actions that you take.
- Asking yourself “What can I do today to be innovative?” isn’t usually the best way to be innovative. Instead, ask “What can I do today to be productive?” The difficulties that arise from your desire to produce will lead you, by necessity, to innovate.
(As a corollary to the above, if you don’t come across stumbling blocks in your creative activity,
it’s probably a sign that you need to be more ambitious in how you challenge yourself.)
- It’s just as, if not more, important to discover new ways to employ the skills and interests you’ve already won rather than trying to continually re-invent the proverbial wheel in search of the next shiny trend or technique. It’s ok to be guided by your expertise. The fact that we never want to stop learning doesn’t mean that we haven’t already learned much of what we need to know.
February 24, 2012
Due to life circumstances, the weekly digest needed a vacation this week.
See you next week!
February 21, 2012
“In the absence of clearly defined goals, we become strangely loyal to performing daily trivia until ultimately we become enslaved by it.”
— Robert Heinlein
I think this is a brilliant quote – so obvious and yet, how many of us get caught up in the minutiae of day-to-day living saying we wish we could do this or that or go here or there or get this or that done, but it never happens? Then we look around and suddenly 5 years have gone by?
February 17, 2012
I usually don’t pay attention to fitness magazines, but I flipped through this one the other day and came across some information I thought would be good to share. This came from Self Magazine September 2011 and is copied verbatim.